“untitled (seven pictures)”

I made this film to situate the people I lived with, within my residential college, in an archive that I accessed through my job for the college; and this fascination with the past and present and the tendency for performance to warp those things resulted in a recording that was shaped by that tension, in which fellow Davenport students re-posing images from the Davenport archives re-inscribed the relationships in the photos.